Showing posts with label writer inspiration. Show all posts
Showing posts with label writer inspiration. Show all posts

Interview with C. L. Brenton: Q3 2026 CNF Essay Contest 1st Place Winner

Sunday, August 16, 2026
C. L. Brenton is a fiction author from Carmel, California, and an MFA graduate of Vermont College of Fine Arts. Her short stories about mothers on the brink have appeared or are forthcoming in J Journal, Colorado Review, Witness Magazine, and A3 Review among others. Discover more at clbrenton.com.

---interview by Marcia Peterson

WOW: What inspired you to write your entry, “Rainbows?”

C. L.: I was in a generative workshop when I was earning my MFA at Vermont College of Fine Arts, and our professor prompted us to write about light. I wanted to write about the crystal that made rainbows in my childhood kitchen, and makes rainbows now in my kids’ playroom. It ended up morphing into an essay about my three year old son and his gender fluidity that I found so magical and vexing, and a moment we shared a few days earlier as we tried to capture the light. The first few lines of “Rainbows” came out pretty much fully formed. Sometimes it takes different prompts to unlock what lives inside you, what’s waiting to come out. Sometimes someone merely has to ask a different question of you for you to understand exactly what you’ve been wanting to say.

WOW: What is the most difficult part of your writing process?

C. L.: I find each part joyful and challenging in its own way. I love the wild chaotic creation part, and the methodical editing part though each have their hang ups. I think maybe the challenge is knowing, or deciding when a piece is done, deciding it’s good enough to send out, and strong enough to take criticism from or even the success of the real world.

WOW: As a busy mom, how do you find the time to write? What works best for you?

C. L.: Writing requires (for me at least) a certain amount of emptiness in my life, meaningful time and space for the muse to do her work. As a busy mom, I know that’s usually the hardest thing to come by.

As we say in my house, though, it’s not about lack of time, it’s about priorities. Some days I have to prioritize my children and my home life, and those are wonderful things to put at the top of my list, but when I can carve out daily time for my writing, to go sit on the beach and watch the waves for thirty minutes, my muse comes back and wants to work. If you can make time to exercise, to watch your favorite show, to read, to read this even, you can find time to write. If you can’t, consider reading while your children play, or commit ten minutes to doing nothing, to day dream, to be present wherever you are. Don’t listen to anything, don’t look at your phone. Let your mind wander. The words will come.

When my kids were toddlers, I took my writing time on the weekend when my husband was the primary caretaker. I wrote on a post it note that I still have attached to my computer monitor the five things that constitute a writing life. Writing, Editing, Reading, Submissions and Community. If I don’t feel like writing, or I feel stuck editing, I can read. If that doesn’t spark my interest, I can engage with my writing community, watch a lecture or submit my work. All of those are important to build the writer you will become.

WOW: What are you reading right now and why did you choose to read it?

C. L.: For years, likely since we met, my friend Emily (who is a fabulous writer and a dear friend) has been recommending “The Anthropocene Review,” by John Green. It’s a book of essays disguised as reviews of various human-centered things, things specifically tuned to the author’s life so it’s almost a hybrid memoir. At the beginning of summer, Emily asked me if I had read it yet, and ashamed I hadn’t, I quickly found a thrifted copy and dove in. It’s a wildly fascinating, informative read that has made me quite a bit more interesting at parties. At least I like to think so.

WOW: Thanks so much for chatting with us today, C.L. Before you go, can you share a favorite writing tip or piece of advice?

C. L.: Thank you so much for having me! I’m truly honored “Rainbows” found a home at Women on Writing!

As far as general advice, it might help to remember that writing is iterative. Most of what we create is imperfect, followed by imperfect iterations until the story resembles itself, so don’t get hung up on the flaws. We have to first create the rough block of marble from nothing, then we can start to carve it into art.

It also helps me to remember that creation is separate from publishing. We can’t control how or when a piece is published, so you have to make the work the reward. The pleaser of crafting the thing has got to provide the benefit for doing it. Writing is supposed to be fun. Keep your work fun and weird and wild and painfully true. Try not to over edit it or form it to someone else’s aesthetics. Submit it widely when it’s ready; and I mean widely. Send it to a hundred journals or agents before you give up on a piece. Enjoy the process, trust your own taste, and you’ll write forever.


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Interview With Breeann Adam, Winter 2026 Flash Fiction Contest Runner Up

Tuesday, August 04, 2026
Breeann Adam is a writer, stay-at-home-mom, and former special education teacher. Hope, love, and the beauty in everyday life inspire her creative endeavors. Her first book, a children’s book rooted in exploration, joy, and wonder, will debut in July 2026. A lifelong Montanan, she currently lives in Bonner, Montana, with her family. You can connect with her on Substack at Just Write Mama, or on her website, justwritemama.com.

--interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Winter 2026 Flash Fiction competition. What prompted you to enter the contest?

Breeann: Thank you! I love writing short fiction stories, but I never write them as often as I’d like. Over the past seven years, I’ve been working hard on a personal memoir-style book about my experience as a foster parent, publishing personal essays on my Substack page, and, more recently, writing a children’s book. These have been wonderful projects, but they have been very all-consuming creatively, and I haven’t written much fiction while working on those other projects. I found this contest online, and I thought it would be a good motivator to write a fiction story and have some fun.

WOW: Can you tell us what encouraged the idea behind your story, “Aromas, California, 2007?”

Breeann: Sure. I was actually reading the guest judge’s biographical information, and in her bio, she mentioned she enjoyed CrossFit. I also loved CrossFit for a number of years, so it sparked my interest as a setting for a story. What I really wanted to focus on from my own CrossFit experience was how empowering it felt as a woman to lift heavy weights and become stronger; an important part of CrossFit gyms is that there are rarely mirrors in the gyms. The focus is on getting stronger and improving your own skills, not on losing weight or having a certain aesthetic. I had done a lot of types of exercise leading up to CrossFit, but CrossFit was certainly the most empowering activity that I had participated in up to that point. While the story and characters are entirely fictional, the feeling behind the main character’s journey is inspired by my own journey. Oh, while the current-day CrossFit Games are a big, polished production with money, sponsorships, and professional athletes, the inaugural Games in 2007 were, as described in the story, casual, low-budget, and open to anyone who wanted to try. Ultimately, this story is about a woman who knew she had to try–for herself.

WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?

Breeann: I’m a mom of three children, so typically I write during my toddler’s naptime. I like to use my lap desk and write from bed. Although sometimes writing during naptime just can’t happen due to other responsibilities, so I will often also write in my Google Docs app on my phone while in appointment waiting rooms, in my backyard while my kids play, or while I have a few extra minutes here and there. My favorite tool is not very exciting: it’s a piece of notebook paper with a bunch of checkboxes drawn on it. I check off one box every day that I write for any amount of time, and I try to get as many consecutive days as I can. For me, I’m a task-oriented person, so it’s motivating to see all the boxes get checked and a project start to come together, box by box.

WOW: Great tips to try! Your first book is set to debut in July 2026, which is exciting. Can you share a bit about the book? What was your writing and publishing journey like?

Breeann: Yes, it’s so exciting! The book is an ABC rhyming picture book for children called “B is for Bonner: The ABCs of Bonner, Montana.” Bonner, Montana, is where I live, and it’s a tiny gem of a town that I wanted to write a book about, so I could share it with my own children first and foremost, and then share the beauty of our town with others. Ultimately, the book features nature, animals, music, history, and other local highlights, but encourages each reader to find joy, wonder, and beauty wherever they are in the world. The idea for the book mysteriously came to me as I was walking through a local bookstore, having a little pity party for myself about a completely unrelated creative failure! Funny how that works, isn’t it? I went home and immediately began to write my first draft. I went through many, many drafts, rewrites, and edits. I had others read it and give feedback on each version, and then I was lucky to find a local illustrator who does gorgeous work. She brought the book to life in a really magical way. I chose a printing company, and in just a couple of months, the books should arrive! As with most creative endeavors, the process took longer than anticipated, and the book will debut a couple of months later than planned. The process from first draft to publication has taken about one year total, and it has been so much fun! My next step will be sharing the book with local bookstores, schools, and anyone else who is interested in an adventurous and fun book about a trip through a Montana town.

WOW: Good luck with your book promotion, and thanks so much for chatting with us today, Breeann. Before you go, do you have a favorite writing tip or piece of advice you can share?

Breeann: My most proven tip is to never underestimate the power of taking even the smallest steps forward. Patience and perseverance win the race every time. Stuck? Add page numbers to your draft and walk away for the day. Come back tomorrow. Write one sentence. Change one word. Literally, take a single tiny step forward. Keep doing that as consistently as you can, and it’s amazing what you can create over time.

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Interview With Ari Honarvar, Winter 2026 Flash Fiction Contest 1st Place Winner

Tuesday, June 30, 2026
Ari Honarvar is the founder of Rumi with a View, an initiative dedicated to bridging the arts, social justice, and wellbeing. Her words have been featured in The Guardian, The Washington Post, Teen Vogue, and elsewhere. Drawing from her childhood experiences of war and oppression and her work with underserved communities, she facilitates Resilience through Joy workshops for refugees, healthcare workers, and social justice advocates worldwide. She is the author of the critically acclaimed novel A Girl Called Rumi and the bestselling oracle deck, Rumi’s Gift.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Winter 2026 Flash Fiction competition! What inspired you to write your story, “The Pomegranate Tree?”

Ari: This piece is inspired by a conversation I had with my father during the Iran-Iraq war. It’s a wartime memory I later wove into my novel A Girl Called Rumi, which draws on my childhood in Iran, immigration to the US, and the mythic, rich landscape of Iranian culture and literature.

I also wanted to address something that rarely makes the news: the environmental cost of war. The pomegranate tree became the heart of that. And underneath it all, the piece is asking the question that haunts anyone who has ever been attacked: Why do they hate us?

For the contest, I revised the piece to include modern warfare and the killing of schoolchildren. I had been following US/Israel drone attacks for years, and in February, I had a feeling the US was going to attack Iran again. Three days after I submitted the story, the US attacked the school in Minab and killed over 100 elementary school kids. I got chills when it happened in real life. And of course, I was devastated. 

WOW: Such terrible loss, it's hard to imagine. Thank you for sharing your contest entry with us. 

You’ve also written fiction and nonfiction in various forms and lengths. Do you find one more challenging than the others? Are you drawn to one form more than the others?

Ari: I find fiction to be more challenging—always. I do enjoy both, but I write more nonfiction because it's easier, it lets me say what I mean directly, and I get paid for it. Fiction is world-building and more meditative. When I get lost in it, there's nothing quite like it.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Ari: Make every word count. That's the only rule that separates flash from longer fiction. Every sentence should earn its place by being evocative, necessary, or both. In your first draft, give yourself the freedom and space to tell the story without paying attention to the length, with all the details intact. Then hone and hone until it's within the word limit. I also believe in grounding any work of fiction in five or more senses and in layering emotion throughout.

WOW: What are you reading right now, and why did you choose to read it?

Ari: I'm finishing Chef's Kiss by TJ Alexander. A friend recommended it, and it's Pride Month, so the timing felt right. And I'm starting The Trial by Kafka. I read it in high school, but wanted to return to it now that I work with asylum seekers and refugees. So much of the legal labyrinth they navigate feels like living inside an existentialist novel—bureaucratic, absurd, and so dehumanizing. And Kafka’s book feels prophetic. For me, balancing something heavy with something warm and enjoyable is the way to go, reading-wise.

WOW: Thanks so much for chatting with us today, Ari. Before you go, what encouragement or advice can you give to writers about entering writing contests?

Ari: Do it! Contests give you a deadline, somewhat of a constraint, and a reason to polish your work. Even if you don't place, you get to see what won and notice why it moved the judges. And you never know! Sometimes the piece you almost didn't submit is the one that changes everything.


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Interview with Rose Brown: Fall 2025 Flash Fiction First Place Winner

Tuesday, April 21, 2026
Rose is an ICU nurse who was raised in Hawaii and now lives in Georgia with her husband, toddler, and cat. She took up writing in 2025 and has been published in Elegant Literature, was a 2025 ACFW Crown Award finalist, and is shortlisted for a current Uncharted magazine flash contest. She is working on her debut novel, a Southern folk horror–drama.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Fall 2025 Flash Fiction competition! What inspired you to write your story, “Sack of Bones?” It’s a powerful piece, and I loved everything about your writing style.

Rose: Thank you so much! I'm honored (and shocked) that I won. I actually wrote it last year during my lunch break at work. I'm not sure why this specific family member came to mind while I ate some crappy hospital cafeteria Salisbury steak, but he did. He died years ago, and his funeral, the eulogy, everything felt like it was for a stranger. The only ones I found myself grieving for (and confused by) were his still-living victims, who seemed genuinely lost and torn up over his death when I thought they'd finally feel free.

I'm much older now (was nineteen then) and understand how incredibly complicated abuse is, and how victims can be left with many mixed emotions. Basically, parts of the story (like the setting, since I grew up in Hawaii) were changed, but it was inspired by a very real moment of struggling to grieve someone who had caused a lot of pain in my family.

WOW: In your bio, you say that you “took up writing in 2025.” You’re already having success with publications and awards. Did you have an interest in writing and make any attempts at it previously?

Rose:  My twenties were busy with college, nursing, getting married and moving across the country (my husband is in the Air Force). Long hours at the hospital exhausted me so much that I didn't have energy to pursue much outside of that, especially something that can be as difficult as writing.

But things changed after having my daughter. I worked much less to stay home with her, and finally had time to breathe. One day I came across a Reedsy ad for a writing contest, tried it out, and soon started winning. I had no idea how much writing short stories could help me de-stress (and help pay for groceries!).

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Rose:  One of my goals for this year has been to read much more, specifically flash fic and short stories. Spending more time reading than writing has actually strengthened my writing way more than I expected! I wish I prioritized it much sooner!

WOW: You’re also currently working on your first novel. Can you tell us anything about it, and what your novel writing journey has been like so far?

Rose:  Last year I completed my first try at a novel, a thriller, then trashed it. I hated it! My writing style and preferences have changed so much in just a year, and I had to start over. So since late last year I've been working on a southern mystery. The south, especially Appalachia, has fascinated me since moving here, so my story incorporates a lot of Appalachian folk-lore and spiritual themes. I'm only on chapter seven, and have a lot going on this year (a baby due this summer, deployed husband, and possibly moving to Japan), but I'm hoping through all of the craziness I can still work on it!

WOW: My, you have a lot going on, and we wish the best for you and your family with all of these things!  Thanks so much for chatting with us today, Rose. Before you go, can you share a favorite writing tip or piece of advice?

Rose:  It's funny how the stories I think are my best and most polished don't place. The ones I almost don't submit to contests because they feel so raw and unedited almost always do well. So, don't write to sound good, or like someone else, or to win. Just write a story you can't not write, one that speaks deeply to you.

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Interview with Kelly Stallard, WOW! Q1 2026 Essay Contest Runner Up

Sunday, March 22, 2026
Kelly is an artist and a writer who retired from teaching high school English 5 years ago. She spent 24 years encouraging young people to write and continues this mission by designing original greeting cards through her studio, Mixed Pickles Art. She can be found at art festivals throughout Virginia peddling her work. Kelly is currently writing essays to compile into a collection that will highlight the beautiful public spaces in the Commonwealth where she finds inspiration and renewal. Her novel, Circumference of a Big Man, was chosen as an Honorable Mention winner in the Writer's Digest 33rd Annual Self-Published Book Awards. Her manuscript, Circle Unbroken, placed 3rd at the Virginia Highlands Festival Creative Writing Contest. Kelly lives with her husband in Winchester, VA.

--Interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Q1 2026 Creative Nonfiction essay competition! What prompted you to enter the contest?

Kelly: While I think anyone can relate to my essay, it is at its core, a mother’s story. The unexplainable strength I found to open my daughter’s front door that was either jammed or maybe locked, the inability to squelch my gut feeling that something was off -- these are absolute truths that I think demonstrate the irrepressible bond between a mother and her daughter. Finding a contest that features the voices of women was a perfect fit.

WOW: Your entry “Until” is a powerful essay about a horrific event for your family. What inspired you to write this particular piece?

Kelly: There were two inspirations. First, my husband and I own a 17’ Airstream, so we spend a lot of time camping. We live in Virginia where the state park system is outstanding. I started writing essays a few years ago aiming to focus at least one essay on each park in the state thinking I would create a collection that could highlight the public spaces we love so well. My essay, “Until,” started as one of those essays. Just as I describe in the essay, one day we had a lake at a park completely to ourselves. As we kayaked, I noticed the chaos of sunbleached trunks and limbs along the banks, and among the litter, one determined sapling clinging to a rock, and in that moment, that one image truly did say everything. The violence against my daughter occurred in 2017. I started this essay in 2021. I finished it in 2025.

The second inspiration is my daughter who survived the attack. She is the strongest human being I have ever known. She is still in the healing process as complex PTSD has no easy fix. Along her healing journey, she completed her PhD and wrote a book of poetry about her experience as a victim and a survivor. The book was published, and my daughter uses it and her expertise on trauma-informed education to advocate for other survivors. She has taught me about the importance of using my own voice, so a large part of my inspiration for writing this piece is to honor her bravery by being brave, too.

WOW:  Do you have any thoughts or advice for writing about difficult things?

Kelly: There was a right time for me. I had to wait until I could articulate the horror we had lived through with utter honesty. That might not be necessary for every writer, but I had to be patient with myself. It helped me to remember that while not every reader has experienced the same traumatic experience we have, it is a sad fact that nearly everyone understands trauma in some personal way.

WOW:  What writing projects are you working on right now? What’s next for you?

Kelly: Aside from the Virginia State Parks essay collection, I am completing a manuscript for a novel. I self-published a novel not long ago which has been fairly successful. This time, I am going to attempt traditional publishing.


WOW:  Thanks so much for chatting with us today, Kelly. Before you go can you share a favorite writing tip or piece of advice?

Kelly: I have to give myself permission to take risks in my writing, to allow form and content to complement each other in nontraditional ways. Not only has this permission helped me create more pleasing products, it has made the process more fun and having fun is so important. Thank you for having me on.

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Interview with Carole Vasta Folley, 1st Place Winner in the WOW! Q1 2026 Essay Contest

Sunday, February 15, 2026
Carole Vasta Folley is a playwright, columnist and creative nonfiction writer. Her newest play, Control Top, which examines the impact of gendered clothing on women, premiered June 2025 and was written with the support of the Vermont Arts Council and the National Endowment for the Arts. Carole’s In Musing column has won multiple awards from the New England Newspaper and Press Association and the National Society of Newspaper Columnists

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Q1 2026 Creative Nonfiction essay competition! What prompted you to enter the contest?

Carole: First and foremost - the words WOMEN and WRITING not only prompted me to enter the WOW contest, they are my pilot light! Like any powerful duo - Eleanor Roosevelt and Lorena Hickok, Oprah and Gayle, Lucy and Vivienne, Cagney and Lacey - the combination of women and writing is a winner. Evocative of meaning, insight and creativity. I love WOW and this was not my first submission to your competition (I placed as a finalist before). Now I feel my writing has grown stronger over the years not only because of the regular practice of writing, but the hallowed art of editing.

WOW: “He Hit Me” is a powerful essay written in a unique format that worked so well here. What inspired you to write this particular piece?

Carole: Last year I worked with the amazing Nicole Breit for one-on-one writing coaching. It was life- changing. This piece, “he hit me,” arose from her assignment to write a 500 word one-sentence flash essay on any subject I was flummoxed. One sentence? Only 500 words? I love words - I write so many of them - how could I say what I wanted to say with fewer words?

Well, time and again, through Nicole’s teaching and my experience practicing different forms, I’ve learned the power of compression. That constraints don’t have to lessen what I want to say, and instead they can enhance my point of view with a type of fertile precision.

Also as a side bonus - that I did not realize until the piece was in its final form - this one sentence format was SUCH A PERFECT FIT - for the entire feeling of what happened in “he hit me.” The run-away situation that I could not control, the threat of violence, the desperation of wanting to be safe - these are all heightened by the “speed” of the piece. I felt the 500 word one-sentence format hit the exact sense of chaos I felt in real life.

WOW: Do you have any thoughts or advice for writing about difficult things?

Carole: Oh yes! Learning about CNF was my game changer. Especially its hybrid forms. It gave me the freedom to write about hard things in my life (like incest and child abuse). Like many who’ve experienced trauma, what memories I have are in fragments - as sharp as glass. Using the CNF form, I can write about what happened in a framework that somehow, almost magically, contains my big feelings. I’m able to examine “what happened” along with “what did I feel” - something that wasn’t possible for me at the time (when experiencing trauma) nor later when I tried to write about my past in linear long-form. It’s been extremely healing work. Having a CNF form to write into is like having a muse hold my hand while I bare what’s inside.

Finally, although not in this particular piece (“he hit me”), I am a big fan of utilizing comedy to write about difficult things. Several of my favorite memoir CNF pieces are funny. Especially as a playwright, I’ve seen laughter expand an audience in a way that opens them up, making them more available to take in harder stuff. Without comedy as a balm, I wouldn’t be where I am today.

WOW: Your play Control Top, which examines the impact of gendered clothing on women, sounds interesting. We’d love to know more about it.

Carole: The concept for CONTROL TOP originated during a grant application process. I was inspired by Abby Wambach’s declaration: “Wear what you want. Love who you love. Become what you imagine.” This quote sparked a curiosity about WHY we wear what we wear, and the invisible expectations woven into the fabric of women's lives. Written with the support of the Vermont Arts Council and the National Endowment for the Arts, the play evolved into an ensemble piece featuring five older women who reflect on their lifetimes of experiences with clothing. CONTROL TOP is both ridiculously funny and heartbreakingly honest, confronting the subtle and not so subtle ways discrimination manifests.

From lack of pockets to varying opinions on pantyhose ~ gendered t-shirts ~ dress codes ~ not-so-miracle bathing suits and training bras (and what exactly is being trained?), my goal for CONTROL TOP is to further the conversation about the impacts of patriarchy and capitalism on all women.

As we face the erosion of hard-won rights, this dialogue is more urgent than ever. I’ll re-stage the production later this year while I get it out to theater companies across the country.

Meanwhile, I consider CONTROL TOP a living project. As a white cis woman, I am committed to expanding this play by co-writing future versions with women of diverse backgrounds and genders to ensure it speaks to everyone.

WOW: Thanks so much for chatting with us today, Carole. Before you go, can you share a favorite writing tip or piece of advice?

Carole: My favorite piece of advice comes from an interview I heard with Francis Ford Coppola. He was asked, when do you like to write, what time of day? His answer was “early in the morning, before anyone has hurt my feelings.”

Personally, my go-to writing tip is to let my fingers do the talking. I don’t plan what I’m going to write - it’s as if I only need to listen. And write what “they’ say. Sure, I can edit later. But in that initial phase, I love to capture the essence of what’s coming through and am often surprised by it in the best way possible.

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Friday Speak Out!: THIS IS MY LAST BOOK…BUT THAT DOESN’T MEAN I’VE STOPPED WRITING

Friday, February 13, 2026
By Deborah K. Shepherd

Honestly, no one was more surprised than I was when I published my first book at 74.When I retired from a decades-long career directing non-profits, where I wrote detailed—very detailed—grants asking for funding, and even more detailed reports accounting for how the money was spent, I swore I’d never write anything longer or more complicated than a grocery list.

But then, looking for community, I signed up for a writing workshop at my local senior college, came home from the first class and announced to my husband, “I think I’m writing a novel.”

A few years after that, I was lucky enough to have said novel, So Happy Together, published by She Writes Press, and in the meantime, some of my smaller pieces were finding homes in on-line indie magazines.

I was one and done on the book front, though. In addition to the years spent writing; revising; editing; proofing; engaging both a developmental editor and a copy editor; submitting to agents; and being rejected over and over again, there was the year after acceptance intensely promoting and marketing the book first with a publicist and a social media consultant, and then the next few years selling the book on my own at indie bookstores, book fairs, and even farmers’ markets.

I didn’t need to and never intended to write a second book, let alone a memoir about my age-gap marriage to my first husband.

But then, one day…well, actually three years later, I found myself with 300 pages of a new manuscript in my hands. Some of it had been joyful to write, some of it had been gut-wrenching, but there it was. And I’m so happy that An Old Man’s Darling has found a home with Heliotrope Books. It’s out in the world right now—and I’ve just turned 79.

So, I really AM done writing books. I don’t have the impetus to start another one, nor the stamina to see it through to fruition.

But I still love writing, maybe for publication (waiting six months for an acceptance of an essay is a LOT easier than birthing a book) or maybe not. I’m finding that writing to prompts from my local writers’ group—100 words from the point of view of an animal, anyone?—or reading one of my essays at an open mic, or even just scribbling for myself when something jogs my writer’s brain---like the piece I jotted down on hearing The Beatles’ “When I’m 64” at the age of 78 and know I’ll probably never submit—still brings a sweet kind of pride and satisfaction.

So, I hope I never lose this desire to write--it feels like such a gift as I am poised to enter my 9th decade.

And, who knows, maybe I’ll even turn my grocery lists into haikus.

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Deborah K. Shepherd’s first novel, So Happy Together, was published in 2021 when she was 74. Her essays have appeared in Oldster Magazine; Fauxmoir; Motherwell Magazine; Herstry; Eat. Darling, Eat; Persimmon Tree, and more, and her Covid-themed essay was a winner in the Center for Interfaith Relations 2020 Sacred Essay Contest. A retired social worker, she spent much of her career focused on the prevention of domestic violence and sexual assault and the provision of services to survivors. The mother of two and grandmother of two, Deborah lives in Maine with one husband and one sweet, jaunty rescue dog. You can find her at deborahshepherdwrites.com.

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Interview With Myna Chang : Summer '25 Flash Fiction Contest First Place Winner

Tuesday, December 23, 2025
Myna Chang is the author of The Potential of Radio and Rain (CutBank Books). Her writing has been selected for W.W. Norton’s Flash Fiction America, Best Small Fictions, and Best Microfiction. She hosts the Electric Sheep speculative reading series, and publishes MicroVerse Recommended Reading. Find her at MynaChang.com and on Bluesky at @MynaChang.

---interview by Marcia Peterson

WOW: Congratulations on winning first place in our Summer 2025 Flash Fiction competition! What inspired you to write your story, “Tascadora, Texas, 1935?”

Myna: My grandparents told so many amazing and terrifying stories about growing up during the Dust Bowl years. I’ve always been fascinated by the “rainmakers” who blew into town, promising miracles. Tascadora is a fictional town, but the scenario in my story is based on a rainmaker’s visit to a small town in the Texas panhandle at the height of the drought in 1935.

WOW: You’ve written a lot of creative non-fiction, including contest entries for WOW, as well. What inspires you to write fiction and what draws you to CNF?

Myna: My fiction writing is often based on things I find wondrous. My CNF is usually inspired by anger or sorrow.

WOW: Tell us about the Electric Sheep speculative reading series. What do you like about speculative fiction?

Myna: Electric Sheep is a small, casual group of speculative fiction fans. We meet most weeks to discuss short spec stories. We invite our featured readers to join us for a Q&A. Our goal is to have fun and celebrate short fiction writers and the magazines that publish them. Our reading series is open to the public, showcasing some of the writers we’ve featured over the previous year.

I’ve been a speculative fiction fan ever since I can remember. I have a special love of hard science fiction, including cyberpunk, biopunk, and classic space opera—but I also love all kinds of fantasy and horror. Being able to geek out with the Electric Sheep group is a treat for me!

WOW: Since we’re in December now, do you do any end of the year reflections about your writing achievements? What New Year’s resolutions or planning do you do?

Myna: Great timing with this question! I’ve been evaluating my 2025 goals and, as usual, I see that I’ve spent too much time on ancillary projects and not enough time actually writing. For 2026, I hope to do fewer book reviews and author interviews on my MicroVerse Recommended Reading blog. I love connecting with other authors through the blog, but it really takes a lot of time. I will continue doing my monthly flash fiction roundup, though—I enjoy that too much to stop!

WOW:  Thanks so much for chatting with us today, Myna. Before you go, what encouragement or advice can you give to writers about entering writing contests?

Myna: I think contests are so much fun! I appreciate the absolute deadline, and I love the anticipation that builds as the winners’ announcement date approaches. I encourage anyone considering a contest to research it thoroughly before paying an entry fee. Not all contests are managed well, and some are outright scams. Look for contests with an established track record and a reputation for treating entrants with respect.


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Interview with Wendy Hawkes, WOW! Q4 2025 Creative Nonfiction Contest Runner Up

Sunday, December 14, 2025
Wendy Hawkes
Wendy’s a nomadic prize-winning essayist exploring resilience, reinvention, and life lived off the beaten path in her weekly Substack newsletter. Surviving Bahamas' worst hurricane in history unearthed a love for writing, and Wendy found an unconventional lifestyle to pursue her new passion by moving full-time onto a boat where for years she cruised the islands, completed the debut travel-survival memoir she's currently querying, collected bylines like Business Insider, even recorded a guest spot on Writing Your Resilience podcast from aboard her floaty home. Now back ashore, she slow-travels the world with her British-born husband (also a writer), having finally embraced the freedom of being permanently unmoored.

--interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Q 2025 Creative Nonfiction essay competition! What prompted you to enter the contest?

Wendy: Thank you so much! This was actually my third time entering WOW's Quarterly CNF competition. The first time I was long-listed (a deliciously inspiring carrot dangling that suggested maybe this writing thing would work out); the second time...crickets. That essay was an attempt at humor, but deciphering why it didn't land provided a wonderful teaching moment. Lesson learned: don't sacrifice the tenants of good personal essay writing for "the bit." The structure was all over the place with no universal takeaway. I hoped to redeem myself, so I tried again. I'm delighted this effort connected in some way with the judges, and I hope it will with readers at large as well.

WOW: “Escapism: Leaning into My Inner Octopus” is an entertaining and encouraging essay (especially for those of us who might want to lean a little more in this direction). What inspired you to write this particular piece?

Wendy: Ha, wow I'm so happy to hear that a gelatenous escape artist inspired the WOW team, too! I can't remember how I came across the story of Inky, but his need to find a more suitable home resonated like an islander blowing a conch shell straight into my ear. Since I left on a year (or so) of slow travel several months ago, I've taken to referring to myself as an American escapee--a little in the sense that I'm running away from a country I no longer recognize until the listing ship rights itself, but mostly because I feel as if I've cast off the constraints of "normal" western-culture life for the freedom of experiencing the rest of the world. Once I began writing about the octopus' journey in relation to my own, other connections surfaced. I hadn't originally planned to include my years as a dancer-slash-magician's assistant, but it made so much sense when it showed up on the page. As did the side bar into the self-preservation getaways we women often have to employ. That tiny nugget allowed me to sneak in a universality that I presumed Women on Writing's (primarily) female readers might recognize in themselves, or a friend or family member. That at various times any and all of us can be escape artists.

WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?

Wendy: Oh boy, this one's a doozy. The joy and down side of full-time travel is the utter lack of routine. As slow travelers, my husband and I try to stay in one place for three to four weeks at a time, which allows me to work writing into the day, usually in the morning before we start sightseeing or supermarket trips or whatever's on for that day. But travel days can be insanely busy, so I take advantage of Sitting Still times. I've crafted my weekly Substack essays and query submissions on planes, trains, and automobiles--no joke. A four-hour bus ride through Portugal? Great time to write (except, perhaps, for the lack of space as I inadvertantly elbow my husband beside me while my fingers fly across my keyboard...sorry, Babe). I'd love to crow how disciplined I am, waking at dawn to grab a mug of coffee, a quick meditation to get the creative juices flowing, then chaining myself to my laptop until at least 1500 words appear onscreen. I ain't that gal. I write when my brain has deciphered and organized its whirling thoughts enough for my fingers to work, then I keep at it until the mud clears and I start making actual sense of the piece. Maybe someday I'll stick to a routine. One can only hope.

WOW: What writing projects are you working on right now? What’s next for you?

Wendy: I am deep in the query trenches at the moment, submitting my debut memoir about that time I moved to the Bahamas right as their worst hurricane in history wiped out the island--and I was stranded there with my husband. Think EAT, PRAY, LOVE meets THE PERFECT STORM, but with survivors. That event actually launched our current nomadic life, with a brief (four year) interlude of living on the water, cruising the islands full-time except during hurricane season, of course, when we'd tie up to a dock--stuck, waiting for our next escape. While waiting for busy agents to reply, I contribute weekly essays to my Substack, "Moving Forward", where I share adventures and lessons learned from the road and muse about midlife reinvention and other escapist-centric topics. I'm always noodling about travel articles I can pitch, or essays I think might work for other contests or literary outlets, or chapter ideas for my next memoir, a study of a three-generation mother/daughter/dance teacher legacy I'm co-writing with my daughter. (She's generation three.)

WOW: Best of luck with your memoir submissions! Thanks so much for chatting with us today, Wendy. Before you go, can you share a favorite writing tip or piece of advice?

Wendy: I only started my writing journey a few years ago, so it seems insane for me to be offering advice to anyone since I still consider myself an emerging writer. Though with each byline published and contest recognition, I'm slowly accepting the notion that I'm inching closer to Capital-E Emerging Writer, like I've earned an official title. I can, however, echo an oft-recommended piece of advice that has worked wonders for me: Read your work out loud at some point during the editing process. Prior to querying, I read my memoir manuscript to my visually-impaired mother--a central character in the book--and I was shocked at the typos, missing words, and clunky sentences in my so-called "final" version despite rounds and rounds of proofreading edits. Amazing how those little devils can sneak by. As for a favorite writing tip, I think as a memoirist or writer working in the personal essay space, the most important thing to keep in mind is the "So what?" question. Why does this essay need to be released into the wild? What's the takeaway for the reader? I think keeping that universality and writing not only for us to discover greater truths about ourselves, but for also the reader (dare I say humanity as a whole?) is the best way to avoid falling into the dreaded navel-gazing trap. I'd add keeping a little sense of humor, not taking ourselves too seriously, can help keep us grounded and maybe even boost self-confidence. You know, that high-value commodity writers always wrestle with. Thank you for this amazing opportunity. I'm humbled to be selected among such wonderful women writers and grateful WOW! provides a dedicated space for our work.

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Friday Speak Out!: How Writing Helped Me Find My Voice Again

Friday, December 05, 2025

By Dani Moody


For a long time, I wrote only when I felt “ready.” When the pain wasn’t so raw, when I had the perfect words, when I finally felt like myself again. But healing doesn’t wait for readiness, and neither does writing.


I started journaling again during a season when my confidence was gone. My faith felt shaky, my purpose unclear, and my mind constantly cluttered. But when I began putting my thoughts on paper — messy, unfiltered, and honest — something shifted. Writing became the space where I didn’t have to be perfect to make sense. I just had to be present.


The more I wrote, the more I realized how much of my voice I’d quieted trying to fit into expectations — as a woman, as a professional, as a creative. Every sentence I wrote was a small act of rebellion against that silence.


If there’s one thing I’ve learned, it’s that writing isn’t about waiting until you have it all together. It’s about showing up to the page anyway — shaky hands, tangled thoughts, and all — and trusting that your voice is worth hearing in every form it takes.


So if you’re a writer who feels stuck, unsure, or muted by life’s noise, here’s your reminder: your story still matters, even when it’s messy. Write your way through it. You don’t need permission to take up space on the page — just the courage to begin again.


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Dani Moody is a writer, poet, and blogger passionate about storytelling, healing, and personal growth. She shares reflections on authenticity, womanhood, and faith through her blog, Dani’s Desk, and across Medium, where her work has been featured in multiple publications. Dani is also pursuing her master’s in Professional Writing at New England College.

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Interview with Erin Brandt Filliter, WOW! Spring 2025 Flash Fiction Contest Runner Up

Tuesday, October 21, 2025
Erin Brandt Filliter loves creating. By day, she is a Public Relations professional, by night she is a Mom, writer, painter, and music-maker. One of her recent accomplishments was winning the 2025 Douglas Kyle Prize for Short Fiction from the NB Writers’ Federation. More of her work can be found at: erinfilliterature.squarespace.com

---interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Spring 2025 Flash Fiction competition. What prompted you to enter the contest?

Erin: I'd been following your contests for a while and had entered a few times. The stories from your writers are always so inspiring and I wanted to be a part of your community of women writers.

WOW: Can you tell us what encouraged the idea behind your story, “Of Feast and Famine?”

Erin: My inspiration for "Of Feast and Famine" was the idea of cleansing - both fire and saltwater are known (spiritually) for their cleansing properties. But they can also bring with them a sense of destruction and devastation. I wanted to find a way to blend these concepts into a character arc--ending on a hopeful tone. I'm also a sucker for a hopeful ending, so I couldn't leave the family with utter desperation at the end.

WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?

Erin: I wish I had a better writing routine! I write on the go, on the fly, and off the cuff. Sometimes, I'm squirreling away in a doc on my phone and other times I'm sitting at my laptop at a desk. I just let the words and concepts come, and hope to catch them before I have forgetting them completely! I've written novels on long car rides in my brain that will never find their way onto a page.

WOW: Are you working on any writing projects right now? What’s next for you?

Erin: I'm not working on any projects at the moment. I have a number of short fiction stories that will be dutifully sent out for publication in the coming months with a hope and a prayer!

WOW:  Good luck with the short stories! Thanks so much for chatting with us today, Erin. Before you go, do you have a favorite writing tip or piece of advice you can share?

Erin: Don't give up! There's a reader out there for every story. Art is healing and powerful - it's the antidote to oppression and strife. Share your beautiful story with a happy heart.


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Interview with Katie Katie Zurich, WOW! Winter 2025 Flash Fiction Contest Runner Up

Tuesday, July 22, 2025
Katie Zurich is a writer whose journey began in Buffalo, New York and now continues in Madison, New Jersey. She shares life with her extraordinary husband, who brings her coffee in the morning, tea in the evening, and constant support in between. Together, they’re raising two fierce and resilient daughters who inspire her daily. Katie finds joy in capturing life’s quiet magic and turning everyday moments into meaningful stories. That spirit lives at The Forty Files, where words become art and the mess becomes a story worth telling.

WOW: Congratulations on placing as a runner up in our Winter 2025 Flash Fiction competition. What prompted you to enter the contest?

Katie: I entered the contest because I’ve been challenging myself to be braver in my writing this year. I wanted to take more creative risks, put my work out there, and see what could happen. This felt like the perfect opportunity to do just that.

WOW: Can you tell us what encouraged the idea behind your story, “Cynical Cake?”

Katie: I began working on this story years ago after witnessing an adult say something to a child that seemed to quietly take the wind out of their sails. It stuck with me, and I started thinking about how those seemingly small moments can linger in a child’s memory—how they’re absorbed, carried, and eventually recounted, sometimes years later, in unexpected ways. From there, my imagination took over, and a story was born.

WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?

Katie: I write daily—almost always in the late morning, afternoon, or late at night. My mind seems to wake up slowly; I spend the early part of the day absorbing and observing everything around me. By mid-morning to late afternoon, the gears start turning, and that’s when stories begin to form. It’s a rhythm that feels natural to me—living first, then writing from what lingers.

WOW: Are you working on any writing projects right now? What’s next for you?

Katie: I’m in the final stages of a labor of love: a hybrid novel that blends anecdotal, memoir-style reflections rooted in middle-aged womanhood and motherhood with a second half that shifts into entirely fictional storytelling. It’s a work that reflects both my lived experience and my imagination. A guiding phrase throughout my writing—and one that feels especially true for this project—is: “permission to wonder and wander.” Additionally, I just published an educational chapbook with Bottlecap Press entitled Margins of the Mind. That's a reflection of my first love in life, which is the classroom.

WOW: Thanks so much for chatting with us today, Katie. Before you go, do you have a favorite writing tip or piece of advice you can share?

Katie: Everything you write is valuable—every experience and every word is usable in some way, shape, or form. Stories like “Cynical Cake” sometimes need to sit for a while, collect a little dust, before they can be revisited and rewritten with a fresher perspective and renewed point of view. So, keep it all. Most importantly, feel the fear, but don’t let it stop you from sharing your work. I’m finding so much joy in facing fear head-on because on the other side lies gratitude and confidence.

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Interview with Mihaela Stoicovici, WOW! Winter 2025 Flash Fiction Contest First Place Winner

Tuesday, June 17, 2025
Originally from Romania, Mihaela has been living in Tokyo and the US for the past 15 years. A former management consultant, she discovered her passion for creative writing quite recently after trying to encourage her own children to improve their language abilities. She admires the work Melissa Uchiyama is doing in Tokyo with children, eatenjapan.com. She is fascinated by myths, old tales, dreams and everything that hints toward the old archetypes of the human mind.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Winter 2025 Flash Fiction competition. What prompted you to enter the contest?

Mihaela: I have been playing with some ideas for a long time now, for a few years, but I never had the courage to finalize anything on paper. I had half stories or bits written everywhere but never finished. My intention was to use the contest as a way to discipline myself. I realized I need a lot of discipline. I'm actually afraid to finish a story, I keep going back and forth.

WOW: Can you tell us what encouraged the idea behind your story, “The Snow Woman?”

Mihaela: The idea has been brewing for a long time in a very unclear way, connected to my life experiences. I was trying to make sense of what was happening to me. Over time I became very sensitive to some ideas and paid attention in a different way to things that were happening around me in real life. When I read the original Japanese tale of Yuki Onna for the first time, everything started to make sense. I could see a path forward. I loved the idea of finding magic and the sacred in ordinary life.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Mihaela: I don't think I could give advice to anyone when it comes to writing, I'm a beginner myself. What I like doing and it works for me is to start with a feeling, connected to what happened in real life or to something I read. And then I follow that feeling, I give it space and I listen to it. Sometimes it's a dream I have at night, I like to pay attention to the dreams, it's amazing how they can have a language of their own.

WOW: You mentioned that you discovered your passion for creative writing quite recently. What’s next for you on writing journey?

Mihaela: I want to have more discipline, write more and finish the stories I think about. I bought some books on creative writing and I plan to study more about technicals and the inner workings of writing.

WOW: Thanks so much for chatting with us today, Mihaela. Before you go, do you have a favorite writing tip or piece of advice you can share?

Mihaela: I like how little, apparently ordinary daily things can have a deeper meaning than I initially thought. When I find that magic thread behind a small thing, that's when I feel I can write a story about it.

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Interview with Wendy Fontaine, WOW! Q2 2025 Creative Nonfiction Contest Runner Up

Sunday, June 08, 2025
Wendy Fontaine’s work has appeared in Jet Fuel Review, Short Reads, Sweet Lit, Sunlight Press, Under The Sun and elsewhere. She has received nonfiction prizes from Identity Theory, Hunger Mountain and Tiferet Journal, as well as nominations to the Pushcart Prize and Best of the Net anthologies. A native New Englander, she currently resides in southern California and serves as the flash editor at Hippocampus Magazine.

--interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Q2 2025 Creative Nonfiction essay competition! What prompted you to enter the contest?

Wendy: I’ve entered the contest before, and I always found the winning essays to be impressive. I routinely take classes through WOW, so the contest has been on my radar for a while.

WOW: Many of us can think of instances where, as a young woman, we sensed something was off with a person or situation and thankfully acted for our own safety. Your essay, “Lucky,” is a compelling look back at your own experience and other events where luck, randomness or fate spares a person from something tragic. What inspired you to write this piece?

Wendy: That moment in the parking lot has stuck with me for 35 years. Over the decades, I’ve wondered, why not me? Why do bad things happen to some people but not others? There are answers to that question and yet, at the same time, there are no answers to that question. This moment and many others, including 9-11 and the Boston Marathon bombing, make me think of how close we all come to tragedy every day, whether we know about it or not. And when we do know about it, we try to make sense of it. We try to give it a narrative or some kind of explanation, but of course there are times when no explanation can be made. We just “got lucky,” as they say.

WOW: How do you find or make time to write? What works best for you?

Wendy: I wish I could say that I have a regular writing practice, or that I have the discipline to set aside time and abide by any kind of writing schedule. But I just don’t. I’m sort of a mad scientist writer. When an idea takes hold, I go to the page. I write and write and write, then I stop. I tell myself that I’m done for the day but within minutes, I’m back – drafting and redrafting. Then I might go weeks without writing again. It’s cyclical. I write whenever the mood strikes. I’m also in a writers’ group that meets monthly, which means I’m on the hook for new or revised material every time we meet. That really helps. My writing group keeps me generating new work.

WOW: Are you working on any writing projects right now? What’s next for you?

Wendy: I’ve been writing shorter pieces these days, usually flash CNF. Part of this is because of how my attention span changed during and after the pandemic. The other part is that I’m really interested in the heat and power that comes in the flash nonfiction form. I have a few essays that I’ve been submitting and a few that I’ve been revising. I also wrote a murder mystery novel, which I hope to revisit and send out to some new agents this summer.

WOW: Best of luck to you with your novel! Thanks so much for chatting with us today, Wendy. Before you go, can you share a favorite writing tip or piece of advice?

Wendy: Whenever I’m struggling to find writing time, or I need some inspiration, I sign up for a writing class. I find Chelsey Clammer’s classes to be particularly generative. Most writing courses are online now and easy to fit into a working person’s schedule. I also rely on Sonja Livingston’s book “Fifty-Two Snapshots,” which has 52 writing prompts for nonfiction and memoir. I’ll flip to a random page, then set a timer on my phone for 15 minutes. Fifteen minutes is usually enough time to get something on the page, but not so much time that you start editing yourself. This feels like a good way to get something true on the page without second-guessing what it is that you’re writing.

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Interview with Carol Ovenburg, WOW! Q2 2025 Creative Nonfiction Contest First Place Winner

Sunday, May 04, 2025
Carol Ovenburg is a student of consciousness, an artist, a writer, an Argentine Tango social dancer—pretty much in that order. When she’s not writing or making digital art, she is on the dancefloor in various cities around the U.S. She’s been a committed meditator for over fifty years and has found this to be the integrating factor for everything she does.

Her life stories began spilling from her pen in 1999—tears dripping on her writing blurring words on the page. Many have been rewritten and become published essays—a few with WOW! Women on Writing, of which she is grateful. Her memoir continues to be a work-in-progress—she’s lost count of the multiple titles and the times she’s called it finished. But her current study of the origins of patriarchy, the myths and misogyny, and how being raised to put men first is the underlying element not yet developed in her memoir.

She lives in the Pacific Northwest and feels it’s wasted on her since she’s not a big nature person. She’s less about what’s out there; more about what’s in here. But she does venture out for walks and occasional hikes with her partner of twelve years.

Her published essays and digital art can be found on her website www.carolovenburg.com.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Q2 2025 Creative Nonfiction essay competition! What inspired you to write your entry, “The Goddamn Ceiling?”

Carol: I had joined other writers in a Zoom three-hour planning workshop and decided to use my time to write. I didn’t know ahead of time that I would write this little story about cleaning the ceiling. It must have been hanging out in the back of my mind while, of late, reading about the origins of patriarchy. As I wrote it, I began to see ceiling and ladder as metaphors and the story took on a fuller meaning for me. It was an aha moment and I ran with it. It wasn’t until I was almost finished with the rewrite that I played around with the structure.

WOW:  What is the most difficult part of your writing process?

Carol: First, that I’ve written something worth reading.

Second, that I can turn my writing into something worth reading—something I’m proud of. I’ll remember what my writing mentor said—it’s not what you write but how you write it. In the re-write, I’ll focus on craft. This is perhaps the most difficult part of writing well, but it’s also the most fun—to look at the many ways you can say something without choking it to death.

WOW:  You’ve been on a memoir writing journey, and I’m sure you’ve learned a lot along the way. Is there a particular memoir you think everyone needs to read?

Carol: Yes. There are a few. I think any memoirist needs to read Jeannette Walls’s, The Glass Castle and Mary Karr’s The Liars’ Club: A Memoir. These two books were my first reads when I started writing memoir. I also love the more hybrid works—non-fiction mixed with memoir like Fire and Stone by Priscilla Long. Her book inspired how I want to re-write parts of my memoir. And I’d be remiss if I didn’t mention Chelsey Clammer’s Human Heartbeat Detected, a powerful little book of memoir moments in essays. I read the stories. I study the structure of these memoirs. Right now, I’m re-reading Steven King’s On Writing - A memoir of the Craft because there’s good stuff in there about writing well.

WOW: In your bio, you also mention that you’re an Argentine Tango social dancer, traveling to various cities around the country. What do you think people might not know or may want to know about Argentine tango dancing?

Carol: This is a huge question, one that requires a lot of pages to answer. I’ll try to make it short. Bear with me.

People come to tango for a lot of reasons and often quit because it’s more difficult a dance than they thought it would be. It’s one of those dances that can (and usually will) reveal our deepest fears—insecurities, social awkwardness/anxiety, addictions, inappropriate attractions, breakups, jealousy, etc. I’ve been through most of these discordant emotions while learning this medium of creative expression, and I persevere because I know there is great depth to this dance. I feel deep connection and joy and humility and fun allowing my body to be in the flow with my partner, with the music, with the floor, completely in the moment, present, and complete. I also relish the social life tango events bring. I adore my tango sisters. There’s so much to tango that you will rarely find a group of tangueras and tangueros talking together about anything other than tango.

One thing people might not know about Argentine tango is it’s an improvised dance. We do learn sequences and steps, but the dance is never the same from one song to the next. The music generally dictates the improvisation. The same way a mood or circumstance dictates the words and phrases we use to form sentences that take on different meanings. This, to me is Argentine tango—a vehicle for surprise.

WOW: Thanks so much for chatting with us today, Carol. Before you go, do you have any tips for our readers who may be thinking about entering writing contests?

Carol: I’d say enter, but before you enter, make sure your essay is as clean as possible. If you don’t have a good writing group who can edit your piece before sending it in, you might want to spring for a critique, if offered by the contest. I find the critiques extremely helpful.

And, read prior winners to learn what your contest is interested in publishing.

So enter if you can—it’s good medicine.

And don’t let rejections discourage you. They’re your friends.


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Interview with Anny Stone, WOW! Fall 2024 Flash Fiction Contest Runner Up

Tuesday, April 22, 2025
Anny Stone is trying to resuscitate her dream of being a writer who actually writes. In the daytime, she is a librarian. She mostly writes about the odd frequency of her mind. She writes to connect, to find those with a similar frequency. You can reluctantly find her on Instagram @mrsjohnwaters.

--interview by Marcia Peterson

WOW: Congratulations on your top ten win in our Fall 2024 Flash Fiction competition! What prompted you to enter the contest?

Anny: Thank you! I’m thrilled to have been placed and grateful that this weird little story finally has a home. I found WOW through my desperate searches for writing competitions that might give my voice a shot. I’ve entered a few past contests since, and I’m always impressed with WOW's communication and supportive environment.

WOW:  Can you tell us what encouraged the idea behind your entry “How to be unsuccessful at modern dating?” I’m guessing that the story, while darkly humorous, is close to reality for many people.

Anny: I’ve workshopped this piece several times, and I’m always amazed at how many really resonate with this one. We all want to believe we’re the most socially awkward person in the room, but it’s just not true. Modern dating, which pretty much defaults to dating apps now, is a weird form of social torture. Nobody likes it or is good at it, yet here we are. This piece rubs the border of fiction and personal essay. It definitely came from a place of feral insecurity and from that random intense hiccup of loneliness that finds you at 10 p.m. on a Friday.

WOW:  What advice would you give to someone wanting to try writing flash fiction for the first time?

Anny: Don’t get flustered by traditional plot structure. Flash is fun because there’s more acceptance for anarchy and play. Capture a moment, a feeling, a memory, whatever—it’s your move.

WOW: What are you reading right now, and why did you choose to read it?

Anny: I’m about to finish Close to the Knives: A Memoir of Disintegration by David Wojnarowicz. It’s haunting, infuriating, raw, and devastatingly beautiful. Memoirs are hugely influential to me as a writer and as a human being living in this inflamed world. Collect voices, all types of voices, and continue to fine-tune your capacity to listen.

WOW:  Thanks so much for chatting with us today, Anny. Before you go, do you have a favorite writing tip or piece of advice you can share?

Anny: I always go back to Toni Morrison’s “Write what you want to read” advice.

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Friday Speak Out!: Write With Your Heart; The Best Writing Advice I Received From My Father

Friday, March 28, 2025


By Jeanine DeHoney

I proclaimed I wanted to be a writer at a very young age. As I sat on the sofa in my family’s Livingroom, my imagination had free reign as I wrote stories about cute little kittens and fairies with the exception of Fridays and Saturdays.

Then, as the weekend loomed in front of me, my father who was a saxophone player and jazz aficionado, who loved listening to music teeming at the seams with the barebones of improvisation, syncopation, and a melodious rhythm, would take a  jazz album from his collection out of its sleeve and play it on our stereo console.  


I would drop everything to sit beside him, and then mirror how he attended to this music; the bobbing of his head, tapping of his feet, taking mental notes of any listening instructions he gave me. 


The main one he imparted to me was, “Always listen with your heart and not just your ears.”


So, I would, and the music I thought sounded strange as a child soon sounded inviting and soothing.

 

When I became an adult, and began my journey as a freelance writer, I realized my father’s words held significance, not just for music but for writing. I paraphrased his words some to encompass that I also needed to, “Always write with or from my heart.”


For when I did, I didn’t write to anyone else’s drumbeat. I didn’t hold back from writing what others thought should be “shrouded” or “kept hidden in the closet” particularly if it concerned a sensitive or cultural issue. I opened my heart and gave myself permission to empty my emotions on paper and let readers see the authenticity and vulnerability of who I was or who I was writing about. I stopped worrying about being judged. 


Writing with my heart allowed me to unfetter my core on the page and forge a relationship with readers who might be walking a mile in my emotive shoes.


My words; the fiction stories, the creative nonfiction essays. even my first children’s picture book, are all heart stories. They are not just slivers but full-on narratives about the complexities of love, life, family, culture, the bad entwined with the good, sadness entwined with joy, etc., just like the music I learned to appreciate as I listened with my father.  


Although I never got the chance to tell my father his advice on listening to jazz would be some of the best and most inspiring advice I got about writing, I hope he knew somehow. I hope he knew when he thumbed through my first published magazine story in my early twenties, that I followed his instructions about the heart. That I listened for the heartbeat of my stories when they hovered overhead, until they defied gravity and landed on the page. 


And from one writer to another, I pass that same advice on to you, write with or from your heart, because you are a unique wordsmith and your/our stories are oh so needed in the world we live in today.

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As a freelance writer my writing has been published in Wow: Women on Writing, Mutha Magazine, Literary Mama, Scary Mommy, Brain Child Magazine, Please See Me Literary Magazine, The Light, Jerry Jazz Magazine, Rigorous Magazine, Soul In Space, The Write Place At The Write Time, Gemini Literary Magazine, The Dirty Spoon Radio Hour and Journal, Sisters AARP,  Mahogany Blog, Carefree, Kiza Blacklit, and a fiction story in an upcoming anthology curated to spread awareness about domestic violence, “Why I Stayed," and MER literary magazine, among others. I am an essayist in anthologies by Chicken Soup For The Soul, Black Lawrence Press-"Mamas, Martyrs, and Jezebels," Black Freighter Press's- "Waiting To Exhale" and BLF Press- "Black Joy Unbound,” and in Zora’s Den anthology. I won first prize for prose for the table/feast Literary Magazine The Blossom Contest, and The Colorism Healing Contest and second place for my essay for the Light-Leaders Igniting Generational Healing and Transformation Literary Journal, and was shortlisted for a fiction story for the Embellishment Contest for Australia's Voices of Women which was performed in Australia as a monologue. I was an Honor Award winner for Sleeping Bear Press Own Voices Own Stories 2022 award season for a children's picture book, "This Sunday My Daddy Came To Church," and it was acquired for publication by Sleeping Bear Press and will be available  in August 2025. 
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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